to show people art pieces and tell them these artworks were created in this
building.
Later in the day I gave a demonstration of the Gelatine Plate Printmaking
technique, and it was a winner with the crowd. It also helped me to sell more
of the kits, even get back orders.
I had a large portfolio of prints to sell. Although I didn't sell any, it did lead to
conversations, and public education on the printmaking studio and what diversity
could be produced from it.
Monoprints, 2 treatments.
Woodblock.
Water-soluble oil pastel prints of real leaves.
Cut work Collagraph.
Early Encaustic.
Drypoint.
Engraving on copper sheet. Addition of tea wash, and garden berries, including Lilly Pilly Ink.
Water colour added to a Collagraph.
Different water colour enhancements of a Pelican Drypoint,
and collage of hand-dyed papers with food colouring.
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